Night Train to Bucharest - 1992
A Flash Memoir Vignette
Squeezed onto a hard bunk, high up the compartment wall, she settled into the night journey. She would not see the countryside slip past the black window below. But she was alone, on a train, and headed to a far-off city that only three years earlier had been forbidden.
On Christmas Day, 1989, after crackers and pudding, she had gaped with others at the TV screen—BBC images of Nicolae Ceausescu and his wife Elena, bullet-ridden.
Now she lay in the dark, the ceiling so close her breath circled back to her face, aware of the other women in the cabin—crinkling paper, digging about in baggage, whispering in an unknown tongue. The piercing whistle. The ka-chunk, ka-chink, ka-chunk, ka-chink. The shush. Shush. Shush. The steady rocking of the bunk—so began the long night.
She did not sleep but lay in adrenalin-fueled alertness, absorbing every metal-on-metal screech, every curve in the track, the way her center of gravity shifted on the vinyl and pressed against the compartment wall.
Through the mesmerizing rhythm, a new sound broke. Stomping, clapping, fiddling. Young men’s voices singing patriotic folk songs built to a crescendo as the train reached a station, the celebration fading into the distance as it moved further east.
Throughout the night the same pattern: mid-night celebrations, rising and falling, as new recruits set off to join the army in a changed world.